Photographing flowers - use depth of field to get great flower photos
Photographing flowers should be one of the easiest things to do in photography - after all, the subject doesn't even move!
But sometimes, despite our best efforts, there are still those flower pictures that lack a little punch.
Here I show you how to get a really good flower picture using simple easy to learn techniques.
And when you've finished here, have a look at my photographing flowers home page for even more tips and tricks.
digital-photography-tips.net is updated regularly. To learn out about the updates as they happen subscribe to the digital photography blog, and this sites RSS feed.
Photographing flowers - using the aperture
A useful tip to get great flower photographs is to get down there with the flowers yourself.
The photo below is the one I will use as an example here.
It neatly demonstrates how a change in shooting angle, and a few tweaks to camera settings, can make a dramatic difference to your flower photos.
Take a look at the photo below:
So what are the photography secrets in this photo that makes it a good shot?
The big
thing is the use of the aperture which has been used to
control the depth of field.
Depth of field is a way of
describing how much of a photo is in focus (from front to back
of a scene).
In this photo the daffodil in the
foreground is in crisp focus and those behind blur into the
distance.
This crisp foreground and blurred background
helps the lone daffodil at the front to stand out in the
scene.
To do this you have to set the aperture on
your camera to it's smallest number (the number will usually
be preceded by the letter f, and the numbers are
called f-stops)
Click to find out more about
depth of field.
Once you have set your aperture, focus on
the flower in the foreground. Then hold your shutter button
down half-way (to lock the focus) and then reframe the
scene.
Here, I reframed the scene to ensure the
in-focus daffodil was to the right of my shot - better than
slap bang in the middle of the scene!
Photographing flowers - get down on it!
To get flower photos like this you really have to get down there inthe undergrowth.
Lie or kneel right down low so that you are at the same level as the blooms.
Then, pick one, just one, flower that will be the focus of your attention. Once you have your flower - be patient.
The problem is that, because these flowers are outside, they tend to move in the wind.
The solution to this is to wait for a calm spot, and focus on the flower. Hold your focus. If there is no wind and you have time to re-frame your scene - do it and take the shot!
However, if the breeze starts and the flower moves, hold fire! If you take the photo when the flower is moving you will end up with a blurry flower.
Simply wait until the breeze stops. No
need to re-focus - the flower will move back to the position
it was in before the breeze blew. Post processing
To really make your flower photography stand out from the crowd you will need a litle post processing.
In the photo above I used Photoshop to do the following:
- First - crop the photo if it needs
it
- Then boost the contrast setting a
little (this will make the colours appear more saturated)
- Boost the saturation (if the
colours are a little weak)
- Sharpen the photo (look for a sharpening setting - use your software's 'help' function to find it - it will be there somewhere!)
|
Who are the frustrated
digital SLR owners?
"Taking photos has been my passion for decades.
I used to own a film SLR and loved the quality photos from it - better than anything a compact could produce.
And then I went digital (after saving up enough!).
The benefits of digital photography with the quality of a SLR - I was taking amazing pictures!
But other SLR owners I talked to were disappointed.
I soon found out the reason why - they'd bought a digital SLR because they wanted the quality, but never learned how to use it.
They were hopelessly bashing buttons trying to get great shots.
I realised they can't be alone and so I set about helping them.
The result? After a year's work I finished "The Digital SLR Guide"...
|
|
|
